Chasing euphoria meaning11/30/2023 ![]() ![]() Series writer and creator Sam Levinson has seemingly taken this to the extreme. Your characters need conflict and loss to propel the narrative. In writing there is a lesson you learn early on: you have to be a little cruel to your characters. Their deeply personal struggles and defined character archetypes are what keep people watching, as viewers sit on the edge of their seats and wait for any of them to experience just one thing that goes right in their lives. The names Rue, Jules, Kat, Cassie, Nate, and Maddie are cemented in the heads of the young people who obsessively watch the show. But despite its stylistic progress, the show is leaving its plot and characters behind. The neon-colorful lights and flipping camera of Season 1 have been replaced by golden spotlights, a grainy filter, and viewing its characters as portraiture. In Season 2, Euphoria wants to develop its style. Swinging cameras, spotlights, fourth wall breaks, a collage of characters and emotions colliding together as Labrinth’s score brings it all together (admittedly, the score and music direction are Euphoria’s best aspects by far). You cannot change that without asking for a different show entirely. Any argument against its tendency for excess is fundamentally flawed. In the end, that’s the show’s artistic goal and its greatest claim to quality. But could it be called…good?Įuphoria is sold on its style. HBO’s Euphoria could be called all of these things. ![]() A daring look at the inner lives of teenagers. ![]() A showcase of some of the best young up and coming actors. ![]()
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